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When Céleste Mogador's memoirs were first-born publicised in 1854 and once more in 1858, they were now confiscate and condemned as scrofulous and undesirable for public consumption. For a reader in our national leader kind times, this extraordinary document offers not only a portrait of the early life of an intelligent, courageous, and infinitely intriguing Frenchwoman but also an exceedi When Céleste Mogador's memoirs were first publicised in 1854 and again in 1858, they were like a shot appropriated and condemned as immoral and unsuitable for public consumption. For a reader in our more than forgiving times, this extraordinary communication offers not only a portrait of the early life of an intelligent, courageous, and endlessly challenging Frenchwoman but too an passing rare interior look at the world of the courtesans and prostitutes of nineteenth-century France.
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When Céleste Mogador's memoirs were first published in 1854 and again in 1858, they were immediately confiscated and condemned as libertine and improper for public consumption. For a reader in our many more forgiving times, this frightful document offers not merely a word picture of the premature life of an intelligent, courageous, and boundlessly intriguing Frenchwoman but too an exceedingly uncommon exclusive look at the world of the courtesans and prostitutes of nineteenth-century France. Writing to appease judges and creditors, Mogador (born Céleste Venard in 1824) explains how with tenacity, wit, and audacity, she managed to escape a herculean childhood and subsequent life of prostitution to become, successively, a river of the dance halls, a circus rider, and an actress, all the while attracting wealthy young men who vied for her favor.
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France's Placements in Woman in the Nineteenth Century by Margaret Fuller | Cairn International
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